The New York Times, USA
"... In Sonic Evolutions, Lincoln Center's celebration of Dutch composer Louis Andriessen... the Dutch ensemble ELECTRA's Andriessen works were theatrical and varied ..."

"... Chiel Meijering's rhythmically sharp-edged Milk en Luiman was hypnotic and, through a stream of energetic vocalizations, ritualistic ..."

"... Using the ensemble's full resources - voice, recorder, electric violin and percussion, as well as ample electronic effects - Donnacha Dennehy created a fabric of constantly changing textures that was often viscerally thrilling ..."

"... Belinda Reynolds work's kinship with Mr. Andriessen's music was in the hypnotically repetitive percussion line, over which the violin traced an alluring melody ..."

"... ELECTRA performed the work (Workers Union) as
a virtuosic percussion solo by the ensemble's superb percussionist, Tatiana Koleva ..."

"... brilliantly played performance...an explosive
energy ...."

De Volkskrant, The Netherlands
"Princesses bring Andriessen 'uptown' "

"... The program of the ensemble ELECTRA will certainly entertain the New York audience...film, video, and sound samples combine with recorder, percussion, violin and soprano. Glistening outfits and a well thought-out direction enliven the stage... like charming Spice Girls, the women dictate the bizarre Shopping List of a Female Poisoner... and Andriessen's earlier works still firmly hold their ground next to the new ones ..."

The Daily Telegraph, UK
"... A lighter note was struck in 'The New Math(s)', Hal Hartley and Dutch composer Louis Andriessen collaborated on this charming short, a comic martial-arts love triangle fought out before a blackboard covered with mathematical formulae. The music, played live by the excellent four piece ELECTRA ensemble, was amiable post-Stravinsky ..."

Het Brabants Dagblad, The Netherlands
"Exciting music in an unusual instrumentation"

"... four women soloists at top-level, not a moment of tedium, unexpected and exciting encounters with yet-unknown composers. They must return to The Link ..."

Irish Times, Ireland
"... Major impact at the Waterford festival's (ELECTRA concert) came from a 1970's Andriessen classic, Worker's Union, heard in a metallically explosive version for solo percussion (Tatiana Koleva) and
tape ..."

Oorsprong (The Source), The Netherlands
"... ELECTRA consists of four skilled and musically impeccable women that interpret an intriguing repertoire (including video projections). They seduced the public, which was made up of young people and multimedia-fans ... their performance was a powerful trailblazer for the rest of the festival ..."